Writer and director David Lynch has died at 78:
The director of 10 feature films — or maybe 11, counting the 2017 revival of “Twin Peaks,” which he described as an 18-hour movie — Mr. Lynch received an honorary Academy Award for lifetime achievement in 2019. He also earned four Oscar nominations for directing “Blue Velvet” and “Mulholland Drive” and for directing and co-writing “The Elephant Man,” a 1980 historical drama about a hideously deformed but beautifully refined Englishman.
“Eraserhead,” his dystopian 1977 debut, featured giant spermatozoa and a singing woman who lives inside a radiator. “Blue Velvet,” a voyeuristic coming-of-age story, opened with a sequence that lingered uncomfortably on swarming ants. “Mulholland Drive,” a neo-noir drama, hinged on altered identities and dreamlike mysteries, including the appearance of an enigmatic blue box inside a character’s bag.
“If you look at TV drama since its inception, shows would tell the audience what they were going to see, show it to them and then tell them what they’ve seen. Nobody was ever puzzled by what was going on,” David Chase, creator of “The Sopranos,” told Time magazine in 2017. “With ‘Twin Peaks,’ Lynch and Frost show it to you and leave you thinking, ‘What did I just see?’ That was revolutionary, and it still is.”
During its first season, on ABC, the show drew as many as 20 million viewers and received 14 Emmy nominations, winning two, behind an ensemble cast that included Lara Flynn Boyle, Sherilyn Fenn, Kyle MacLachlan and Michael Ontkean.
I have fond memories of sitting on a dorm bed watching Twin Peaks with my friend Renee on Thursday nights junior and senior years. I have mixed feelings about "The Return"—really, about everything he did (especially Dune)—and let's not talk about Fire Walk With Me, strangled in the crib by the suits at New Line. The first season of Twin Peaks, though. That really meant a lot to us in college.
He will be missed.